Adolph Gottlieb, “Vigil”, c. 1948.

Adolph Gottlieb, “Vigil”, c. 1948.

(Source: cavetocanvas)

Natalie Wood at home, photographed by Peter Basch, c. 1953.

Natalie Wood at home, photographed by Peter Basch, c. 1953.

(Source: nataliewood-, via saltyfree)

Dolores Moran at the Beverly Hills Hotel, in Los Angeles, California, c. 1943.

Dolores Moran at the Beverly Hills Hotel, in Los Angeles, California, c. 1943.

(via classicblondes)

Bette Davis and Leslie Howard in ‘The Petrified Forest’ (1936), directed by Archie Mayo.

(Source: haroldlloyds, via madelineashton)

Italian model/burlesque performer Dolly Lamour, photographed by Gianluca Bonanno.

Italian model/burlesque performer Dolly Lamour, photographed by Gianluca Bonanno.

(via pinkcuteplush)

Bette Davis as “Queen Elizabeth I” in ‘The Private Lives of Elizabeth and Essex’ (1939), directed by Michael Curtiz.

Bette Davis as “Queen Elizabeth I” in ‘The Private Lives of Elizabeth and Essex’ (1939), directed by Michael Curtiz.

(Source: all-about-bette)

Frida Kahlo, “The Dream”, c. 1940.

Frida Kahlo, “The Dream”, c. 1940.

(Source: imachainsaw)

Robby the Robot poses with co-star Anne Francis in this shot for 1956’s ‘Forbidden Planet’, a brilliant and visually stunning retelling of Shakespeare’s ‘The Tempest’.

Robby the Robot poses with co-star Anne Francis in this shot for 1956’s ‘Forbidden Planet’, a brilliant and visually stunning retelling of Shakespeare’s ‘The Tempest’.

(Source: althistories, via maudelynn)

Carole King, “It’s Too Late”, the lead single from the singer’s sophomore studio album ‘Tapestry’. © 1971 Ode Records

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Olivia de Havilland in ‘Hush…Hush, Sweet Charlotte’ (1964), directed by Robert Aldrich.

Olivia de Havilland in ‘Hush…Hush, Sweet Charlotte’ (1964), directed by Robert Aldrich.

(Source: livviedehavilland)

View from O’Connell Street, Dublin, Ireland, c.1911.

View from O’Connell Street, Dublin, Ireland, c.1911.

(Source: collectivehistory)

Women wearing oversized masks at Venice Beach, Los Angeles, California, c.1930.

Women wearing oversized masks at Venice Beach, Los Angeles, California, c.1930.

(via vintagegal)

When I’m good I’m very good, but when I’m bad I’m better.

Mae West in ‘I’m No Angel’ (1933), directed by Wesley Ruggles.

Marilyn Monroe photographed by Philippe Halsman, c. 1952.

Marilyn Monroe photographed by Philippe Halsman, c. 1952.

(via madelineashton)

Frida Kahlo in Xochimilco, México City, Mexico, c. 1936. Photographed by Fritz Henle.

Frida Kahlo in Xochimilco, México City, Mexico, c. 1936. Photographed by Fritz Henle.

(Source: multipleinsertions)